When determining whether a horse is balanced, it is important to examine certain ratios and angles of the body. The horse on the bottom has a much steeper, straighter shoulder, which can lead to more jarring movement and shorter stride length. The horse on the top has a more ideal shoulder with an approximately 45-degree angle. If a horse is unable to bring its hind legs well underneath its body, more weight must be carried on its front end, thereby reducing its power and maneuverability as well as leading to a more jarring impact for the rider.įigure 5: Evaluation of shoulder slope. The hind legs reaching under the body are the source of power for the horse to move forward and also allow the horse to maneuver and adjust easily. Longer back length also makes it difficult for the horse to bring its hind legs up under its body when it moves. A longer topline indicates that the horse has a long, weak back, which is often problematic due to long backs having weaker muscling. The topline should always be shorter than the underline in a balanced horse. The underline is measured from a point under the belly between the horse's front legs to a point roughly even with the stifle (Figure 2). The topline is measured from the withers to the point of coupling. An important ratio to consider when analyzing balance is the ratio of the topline to the underline. The horse on the bottom represents a horse with a long, weak back - the topline and underline are similar lengths.Ī common flaw that negatively affects the horse's balance is a back that is long in relation to the neck and hip. However, for horses competing in halter events this criteria is important.įigure 2: The horse on the top represents good conformation - the topline is shorter than the underline. Horses competing in many performance events do not necessarily have to represent a breed or sex well to be competitive. This may or may not be important depending on the expectations of the horse. Judging a horse by its type refers to judging how well it resembles the ideal horse of that breed. Most breeds have unique qualities by which they can be identified.
The quantity, quality and distribution of the muscle are evaluated when looking at the horse from its sides, front and back.īreed and sex character (i.e., “type”) refers to how well a horse represents its particular breed and sex. Muscling is also a consideration when evaluating the horse, though not nearly as important as balance and structural correctness. The horse is evaluated both for cleanness and quality of movement. Way of going, also known as tracking, refers to the way the horse moves. Structural correctness is tied very closely to balance and influences the way a horse moves. This is determined by proper structure and alignment of bone, particularly pertaining to the legs. Structural correctness is critical for soundness as well as correct and clean movement. Proper balance enables the horse to carry itself in a manner to allow for easy maneuverability, greater power and smoother movement. In other words, a horse can be light bodied or heavy bodied and still be balanced if its bone structure allows for equal distribution of that weight. However, balance is not determined by the horse's weight but instead by proper angles and proportions of different parts of the body. Balance refers to equal distribution of muscling and weight from the front of the horse to the back of the horse, from its top to its bottom and from side to side. Balance is essential for both quality of movement and performance in any event, and is determined by the horse's bone structure. There are five main criteria to evaluate when examining a horse's conformation: balance, structural correctness, way of going, muscling, and breed/sex character (also known as type).īalance is arguably the most critical aspect to evaluate when examining the horse. When examining horses for conformation, either when considering a purchase or competing in horse judging contests, it is important to break things down into key principles to avoid becoming overwhelmed when putting the overall picture together.
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